Schofie

Posts Tagged ‘film’

ACTING: Imagination and Introspective Connectivity – Part I

In On Acting on September 10, 2014 at 7:55 pm

So, we have identified the actor’s tools. I now hope to dive into each tool, and explode it into something practical. However, before we get too far ahead of ourselves, let it be known, no one tool will be enough to carry you as an actor. You need them all. You need to recognize the continuum that exists between them, and sharpen them in such a way that they work in tandem with each-other. Certainly, there will likely be certain tools you rely on more than the others, as each individual is uniquely skilled in certain skills as opposed to the others. You may not have to equally develop all of the tools. But you must not disregard the others, to be well rounded, you will want to actively engage each tool on some level or another. Once again, only so long as it is helpful to you and brings about observable results.

I love Root Beer Floats. They are perhaps the paragon of cultural achievement. Culinary excellence blended in utter simplicity. A euphoric blend of textures, flavors, temperatures, and sensuous palatability served up in simple confectionery genius. Apparently this guy named Robert McCay ran out of ice to serve with his soda way back in 1874, and partnered with an ice cream vendor, thus inventing the first floats. God bless him and his poor rationing-of-ice skills. That’s 140 years ago!

You know the thing about Root Beer Floats? There is a proportional relationship between the two ingredients. (That’s ice cream and Root Beer for you who are way behind) Two little ice cream, and you just have vanilla flavored Root Beer with frigid chunks of slop bobbing about. Too much ice cream, and you only get foamy mounds of ice cream without the refreshing liquidiness that is Root Beer. The trick is too create an iceburg of vanilla chilliness whose peak subtly emerges from a snug ocean of the brown waves of A&W, the summit only vaguely enveloped in the clouds of perfect, amber foam – and you need a crinkly straw – obviously.

root-beer-float-horiz-520

So I just got a brain freeze typing all of that. Are you lost in my metaphor? I am. What was I trying to say, anyway? Oh, yeah. Actors are Root Beer Floats. Our next few discussions will go very much hand in hand, as the mind and body are so intertwined. If you do something to the ice cream, it will effect the root beer. If you do something to the mind, it will effect the body.

That being said, some idiots go to make a Root Beer float, and forget to add the ice cream. I mean, Root Beer is delicious, but it’s not a float without it. Some of you introspective philosophers, analytical literature gurus, and psychological emotion-dissectors just love your root beer, but you have forgotten to add the ice cream. You spend hours in dark closets connecting your “inner you” to the given circumstances your character finds themselves in. You mechanically pick apart nuances in the literature of a play or screen-write. You bleed symbolism, and revel in the philosophical implications of the text. This is the root-beer. It’s the stuff audiences slurp up without actively thinking about it. It’s just there. Delicious to the connoisseur, but the average consumer is there to dig in with a spoon – they can actively engage with the physical. They see your body, they hear your voice. They can’t see or hear the hours you spent researching transgender-norms in Elizabethan London.

This is why I hesitate to start with the mind. Because a novice mistake is to over-think a role. I think I have spent enough time warning against this, so we will dive in – because despite my warnings, I do love my Root Beer.

10659203_10152449562634983_2792271583936868846_n ~j.d. schofield

Advertisements

Schofie on Acting?

In On Acting on August 13, 2014 at 3:17 pm

So…. Actors have been around since the beginning of time. Even if you credit them Greeks with the origins of what we might consider traditional acting – you’re talking 534 B.C. or earlier. Thousands of years. Millions upon millions of flesh-and-blood persons have taken up the mantel of performance between then and now. And now, in an age where performance related media and live performance is historically more  accessible than it has ever been, it seems everyone is an actor. If you don’t consider yourself an actor, you probably have at least done it once. If you never have, you may have considered it. If you never have considered it, you still can’t avoid how greatly your life is affected by actors. They’re in the shows you watch, the features you love, the plays you attend, and the commercials that drive you nuts. They’re on the side of the street waving signs to get your taxes done for free. They’re on the corner of 5th and Main in black-and-white mime attire. They’re in the museum bringing Hammurabi and Abe Lincoln to life.

So, if we have thousands of years of acting tradition, theory, and history – and so many of us are actors today, why are we all so confused about how to do it? If there is anything I have learned after academically studying theatre for the last 8 years, and actively performing in productions in a broad range of functions, it’s that no-body really knows what they are doing. Everybody has ideas, theories, and their own little comfortable method that works for them. Some are dogmatic, others pragmatic, some are systematic, while others are enthusiastic and spastic. And that is fun to say really fast, by the way.

It’s just that acting is such a hard thing to quantify. Traditionally, we can identify an actor. But that’s because we see him in his element. His venue. He’s in my Tv, he’s on the stage before me. He’s behind the glass at the museum exhibit. But what is it he does? How does he do it? You ask any two acting celebrities how it is they do what they do, it is likely they will have two completely different answers.

I am still working out my own thoughts on the matter. I have some strong opinions. I don’t know that I can claim that they are exclusively correct. But I do have my ideas – like anybody else.

This is hopefully the first in a series of thoughts on the craft – my thoughts, others thoughts, stolen and borrowed thoughts. Now that I am done with school, and I am actively performing in the real world, I am starting to actually read those dusty books I hastily skimmed during my Graduate work. So roll up your sleeves, actors, we’re about to get nerdy….

 

hamlet

 

richardburton3.jpg.pagespeed.ce.gxtlzfBfqa

 

hamlet34

 

hamlet-6

 

David Tennant in Hamlet in 2008.

 

_______________________________________

1920475_10152073790794983_1207531938_n ~by j.d. schofield